Comments on: Blogariddims 22: Disintegrations

By: Niall

Niall — Thu, 01 Nov 2007 21:54:19 +0000

Fantastic work; this hits the spot exactly today.

By: New Music on a Shoestring - June « The Rambler

New Music on a Shoestring - June « The Rambler — Mon, 21 May 2007 19:11:32 +0000

[...] New music on a shoestring , Music For those visitors who are new to the site on the back of the last Blogariddims thing, this ‘new music on a shoestring’ is something I do most months. I’ve been a bit [...]

By: Tim Rutherford-Johnson

Tim Rutherford-Johnson — Mon, 21 May 2007 17:52:27 +0000

Thanks for the kind comments, Neil and Max - I’m flattered to have slow sound system’s approval!

By: neil

neil — Thu, 17 May 2007 20:45:50 +0000

this is brilliant. can’t wait for the next one!

By: imax

imax — Thu, 17 May 2007 19:20:42 +0000

Thanks so much for this. A gorgeous piece of work, and very cleverly put together. More please! Max

By: Tim Rutherford-Johnson

Tim Rutherford-Johnson — Wed, 16 May 2007 19:35:02 +0000

Thanks Jean. You never know, I might have a go at some genre-busting again in the future…

By: jean poole

jean poole — Wed, 16 May 2007 10:39:03 +0000

hi there// loved the last one.. had to check this one… miss the blend ins of the early 90s wall of noisers but still grand : )

By: droid

droid — Wed, 16 May 2007 09:19:28 +0000

[...]I’ve had this on rotation for the last month or so, and its another stonker. Those of you who think you dont like avant garde or modern classical music should download this now - theres some real tension sparking through this set - all due to some great selection and sequencing from Tim.[...]

By: Shards, Fragments and Totems: Grievous Angel’s alternate reality of random scribbling

Mon, 14 May 2007 16:48:50 +0000

[...] Blogariddims 22: Disintegrations « The Rambler Unlike my previous Blogariddims contribution there was a plan behind this mix. But as I started putting it together I also decided on a different strategy for mixing too. On Voices from Afar the idea was very definitely to keep layering things, filling up the sound space as much as possible; I might have up to 5 tracks running at once. That was fine, but I was always a bit uncomfortable with the fact that I seemed reluctant to let any of the music - all of which I loved - speak for itself, without the friendly support of massive overdubs. Why not let the music do more of the work on its own? [...]