More TRINning – I’m writing the programme notes for György and Márta Kurtág and Hiromi Kikuchi (a reprise of a Wigmore Hall concert I reviewed several years ago). Concert is on 1 December.
More programme notes for The Rest is Noise – this time minimalist masterworks by Philip Glass and Steve Reich: Music in Twelve Parts (9 November), and Clapping Music, Come Out, Music for Pieces of Wood, Pendulum Music and Music for 18 Musicians (10 November).
I’m also taking part (as the musical expert) in a TRIN study evening on politics and spirituality in the late twentieth century (focusing on Gubaidulina’s Offertorium). It’s free and informal, although you do need a ticket.
The Aurora Orchestra’s concert on 5th October features my programme notes on Stockhausen’s Gesang der Jünglinge and Kontakte, as well as Boulez’s Le marteau sans maître. Part of the Southbank Centre’s year-long The Rest is Noise festival.
October’s Little Star selections were taken from Anton Batagov’s Letters of Sergei Rachmaninov on Fancy Music, Michel van der Aa’s Spaces of Blank on Disquiet, Michael Finnissy’s The History of Photography in Sound on Métier and John Luther Adams’ Inuksuit on Cantaloupe.
BBC Proms – 7 September (Last Night of the Proms). Tonight’s concert programme includes my profile of Anna Clyne, whose Masquerade is receiving its world premiere tonight.
I curated a show with Apartment House as part of the Out Hear series at Kings Place. Called ‘Some Recent Silences’, the concert combined four highly original young composers from the UK, US and Australia with three influential older figures, all of whom make use of silence (or near-silence) in musically interesting and diverse ways. Here’s the programme:
- G. Douglas Barrett – A Few Silence
- Gregory Emfietzis – DIY 1
- Mathias Spahlinger – 128 erfüllte augenblicke
- Ben Isaacs – allone
- György Kurtág – Dumb Show
- Charlie Sdraulig – Close
- Michael Pisaro – Fade
The concert took place on 22 September.
“There was a risk/hope that it would play out as an experiment, or a manifesto, or a challenge. Wonderfully, it all worked superbly as a varied programme of contrasting pieces with a strong thematic unity.” – Ben.Harper
“We in the audience were made to do a lot of work here – and I’m in no doubt that this enforced lack of complacency made the concert a far richer experience overall. … This concert was a reminder of the value of close listening: by making us work to hear it, it proved that it was worth our full attention.” – Paul Kilbey, backtrack
“Common to all of the pieces that Rutherford-Johnson discusses in his article is a sense of exploration as to what might be seen as ‘music’. This sense of exploration was likewise in strong evidence in the recent Apartment House King’s Place concert which grew out of the article. Curated by Rutherford-Johnson and likewise entitled ‘Some Recent Silences’, the concert illustrated very well both the breadth of silence’s reach in contemporary music and the philosophical and musical richness that often results from that reach.
“The King’s Place show featured a nicely-balanced and dynamically-effective programme made up of pieces with silent passages, pieces made exclusively from silence, and pieces that used silence as a background for social action.” –Stephen Graham, The Quietus
September’s Little Star selections were taken from Daniel Wohl‘s Corps Exquis on New Amsterdam; Wandelweiser und so weiter on Another Timbre; Alex Hills’ The Music of Making Strange on Carrier Records; and Samuel Vriezen’s recording of Tom Johnson’s Chord Catalogue on Edition Wandelweiser.
Busy month. On 7th August – The Rambler turned 10!
The paperback edition of the Oxford Dictionary of Music came out on 15 August.
BBC Proms – 15 August. Tonight’s concert programme includes my profile of Penderecki, and my note on his Concerto grosso for 3 cellos and orchestra.
I started to curate a weekly music selection for the very lovely Little Star magazine. You can get it delivered to your phone or tablet for $1.99 an issue via the Little Star app. First selections are Richard Barrett’s inward, played by Richard Craig, from this wonderful CD; Caleb Burhans‘ The Things Left Unsaid from his debut disc on Canteloupe, Evensong; and A Self-Same Song from the new Johannes Schöllhorn portrait on Mode.
BBC Proms – 23 August. Tonight’s concert programme includes my profile of Panufnik.
BBC Proms – 29 August. Tonight’s concert programme includes my note on Peter Eötvös’s Second Violin Concerto, ‘DoReMi’, here receiving its UK premiere.
BBC Proms – 12 July (First Night of the Proms). I’ve got composer biogs at each end of the Proms this year – the First Night’s programme book features my profile of Witold Lutosławski. and the Last Night will feature my profile of Anna Clyne.
I’m hosting a roundtable discussion and pre-concert interviews with Matthew Shlomowitz, James Weeks, Aaron Cassidy, Claudia Molitor, Richard Glover and Stephen Chase. It’s all part of the launch party for EXAUDI’s new CD, released on the Huddersfield Contemporary Records label. Date: 4 May, venue: Only Connect Theatre, Kings Cross.
I have a third programme note in the Philharmonia’s Woven Words celebration of Lutosławski – this time instrumental duos and brass quintets.
I wrote the booklet essay for the London Sinfonietta’s world premiere of Steve Reich’s new, Radiohead-inspired work, Radio Rewrite. An extended version of this note, exploring the nature and significance of current trends in Reich reception was published on New Music Box.
I gave a short talk on contemporary Swiss music at the London Ear Festival of Contemporary Music, on Sunday 24 March, before the evening concert by Basel’s Ensemble Phoenix. Venue was the Cello Factory, 33–4 Cornwall Road, Waterloo.
Resonus Classics’ album of choral music by Hafliði Hallgrímsson (RES 10117) is released. The download-only release features my sleevenotes, which are also available for free from the label.
I travelled to Huddersfield for a few days early in the month to cover ELISION’s activities with young and student composers. I also had a chance to interview the young Australian composer Luke Paulding.
Anna Clyne’s Night Ferry receives its UK premiere from the BBC SO. Programme booklet includes my short profile of Clyne.
Extended review of Birmingham Opera’s production of MITTWOCH published in Tempo.
I contributed a selection of alternative festive listening to the OUP blog.
Michael van der Aa wins the prestigious Grawemeyer prize for Up-close. Read my programme note for the work, commissioned by the composer, here.
BBC Scottish Orchestra perform Grażyna Bacewicz’s Concerto for String Orchestra, to which I contributed the programme note.
My edition (the sixth) of the Oxford Dictionary of Music is published by OUP.
‘Just Inside the Green Line’, an article on Cyprus’s Pharos Contemporary Music Festival, is published in the Journal of Music.