Do we really have to do this again?

Aspen Times columnist Barry Smith dregs up the old story of John Cage’s estate’s successful suing over the licensing rights to 4’33”. As Smith says,

It’s more complex than that, of course, but let’s not get bogged down in legalities.

Damn right it’s more complex than Smith’s version, but no need for bogging down, it’s pretty straightforward really. So, one last time: Cage’s estate rightfully sued because the hapless Mike Batt gave a shared credit to Cage in the silent recording he used on his CD, Classical Graffiti. By his own admission, then, he was piggy-backing off Cage’s intellectual property. IP is protected by law, and if you go around using it without permission, you are liable. If Batt had claimed full credit for his silent work (as Sonic Youth, György Kurtág and others have variously done) he would have been fine. If he’d called it ‘Hommage to John Cage’ he would have been fine. But by adding Cage’s name as joint composer he was, in essence, releasing an unlicensed cover version of a work under copyright, so sorry.

That clear now? Good.


One thought on “Do we really have to do this again?

  1. Just to add to the list of silent composers, Cage’s sometime neighbours John Lennon and Yoko Ono recorded two different silent pieces of their own composition, as I recall.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s