My review of Mark Knoop’s piano and electronics recital at City University, is now online at Musical Pointers:
Despite torrential rain a good number made it to City University’s well-appointed Performance Space for a recital of works for piano and electronics.Newton Armstrong’s Three Windows explored the resonances of the piano – the second through silently depressed keys, the first and third through live electronics. The piano writing was atonal and rhythmically jagged, but in a way that allowed for drifts of sweeter colours, particularly in the overtone hazes of the second movement. The electronic treatment acted as an extended resonator, drawing the piano sounds out in unfamiliar directions, distorting them, microtonally altering their pitch, changing the timbre or adding glissando effects. This gave the hard piano sounds a softer, more organic afterlife (or magnified a hidden organicism). Although the pieces were short, Armstrong achieved an attractive balance between light and firm textures.
Continue reading here.