Peter Ablinger
asingledescendingscalefromthetoptothebot
tom,ornamentedonlybyfluctuationsinrhythm
andinterv
33–127
alsize.interruptedatv
(2002)
arioussystematicallydeterminedpointsbyno
iseoncd,streetnoise,excerptedfromablinge
rsdasbuchdergesänge.thefrantic,erraticgu
itaraccompanimentstriv
for electric guitar
esdesparatelytoplayajaggedlineextractedf
romtherecordednoiseaccordingtothegridsys
temoftranscriptionemployedbyablingerinse
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eralofhisotherworks.thejuxtapositionisja
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Seth Josel
erthecourseofninetyfiv
electric guitar
eiterationsofthesameideaastateofalmosthy
pnosis,aconsiderableflattening,isachiev
mode 206
ed.ablingersgoalinaworksuchasthisistosom
ehowerasetheboundariesofwhatisconsidered
musical:formcontentoriginperformance:all
arebroughtintoquestion.
YES.