541, volume 4
Innova’s fourth annual survey of graduate composition at Stanford showcases music by Alexander Sigman, Sebastian Semper, Juan Cristóbal Cerrillo, Mauricio Rodríguez, Patricia Elizabeth Martínez and Kristian Ireland. Yes, these are essentially student pieces, and yes the recording quality isn’t absolutely professional standard – but these are some sharp compositional minds, and the performers include the legendary Ensemble SurPlus, so attention is demanded. The best pieces (and hence names to keep an eye on) are probably Sigman’s reflets/réflexions/implosions, a fragmentary, prickly stream of consciousness for alto sax, and Cerrillo’s siempre otra cosa (estación violenta), which has an unusually episodic/dramatic shape that is both surprising and rewarding. Ireland’s string quartet, clearing (I), is also pretty intense.
Mark Applebaum: The Metaphysics of Notation
While we’re on the subject of Stanford, innova have also released a fantastic DVD documenting Mark Applebaum’s monster graphic score/installation The Metaphysics of Notation.
Metaphysics comprises a hand-drawn graphic score, drawn across twelve 6-foot paper panels, and two hanging mobiles. It was displayed for a year at the Cantor Arts Center at Stanford, and during that time received 45 performances from ensembles and individual musicians (including So Percussion, Graeme Jennings, Ken Ueno, Beta Collide and Applebaum’s Stanford colleague Brian Ferneyhough).
Sensibly, innova and Applebaum have opted not to preserve one or two complete performances on this disc, but have instead gone for the more creative solution of a ‘Metaphysics Mix’, comprised of 1-minute excerpts from each of the 45 performances, each of which is accompanied by appropriate photos. It’s not a complete performance of the score, but it is a pretty decent condensation of the year-long installation (which seems to me closer to the spirit of the thing than any one performance could be). In addition, the DVD includes two scrolling animations of the score (one slow, one fast). This is hypnotically beautiful and in these animations you really do sense the possibility of a visual music.
The whole, excellent package is rounded off with a 20-minute documentary on Applebaum and the piece that includes perceptive and provocative input from several prominent musicians and musicologists. A highly recommendable record of a major project in graphic notation.