Secret Music: March

(Click for the background to the Secret Music listings.)

Better late than never, and with apologies to performers whose concerts this month I’ve already missed. A couple of horrible clashes in this month’s line-up😦

Saturday 15 March: Jerwood Hall, LSO St Luke’s | Music in the Space Time Continuum II | 6.30pm | £12, students £5

Salzburg’s Ensemble OENM play the following programme:

Josquin (trans R. D. Rusconi): Le miroir de musique (An educational outreach performance)
Haas: Tria ex uno
R. D. Rusconi: Anankè
Grisey: Vortex temporum

Thursday 20 – Sunday 23 March: Britannia House, London E1 | LCMF presents The Music of Bernard Parmegiani | times/prices vary

Four events: a screening of short films and documentaries around Parmegiani’s work (Thursday); performances of two of his greatest works, Violostries (1964) and La Création du monde (1984) (Friday); works from the early 1970s (Saturday); and Dedans dehors (1977) and Espèces d’éspace (2002) (Sunday). There are other live sets and screenings woven in there too. Full details here.

Saturday 22 March – Saturday 5 April, and Monday 2 – Sunday 8 June: Frontiers Festival, Birmingham | venues, prices, times vary

Birmingham Conservatoire’s annual contemporary music festival this year celebrates the music of Downtown New York. This was originally planned to coincide with the presence of Robert Ashley to receive an honorary doctorate, an event that will sadly not now take place. Ashley’s music is well represented, however, including the complete world premiere of String Quartet Describing the Motion of Real Bodies on 2 April. Other highlights (of many – see the full calendar) include Apartment House playing Songs for Drella (30 March); Pauline Oliveros in conversation (31 March) and a Deep Listening meditation (2 April); early Philip Glass (1 April); Carl Stone (2 April); as well as music by David Lang, Michael Gordon, William Basinski, Elliot Sharp …

Thursday 27 – Sunday 30 March: The Warehouse, Waterloo, London | 2nd London Ear Festival of Contemporary Music | times/prices vary

More details on this to follow in a separate post, but in essence: nine concerts over four days, plus masterclasses, pre-concert talks and other fun. Composers featured include Rebecca Saunders, Helmuth Oehring, Simon Steen-Andersen and Georg Katzer. Performers include London Sinfonietta, We Spoke, Uroboros and Eva Zöllner. Full programme (pdf) here.

Friday 28 March: Schott Recital Room, 48 Great Marlborough St, W1f 7BB | 7pm | £10

Tim Parkinson plays premieres of new works by Laurence Crane, Matteo Fargion, Joseph Kudirka and himself, plus recent pieces by Jürg Frey and Chiyoko Szlavnics. Now taking place on 11 April

Saturday 29 March: St Giles’ Cripplegate, London | 7.30pm | £15, £7 (students), £1 (under 16)

EXAUDI  performs works by Chase, Cardew, Cage, Feldman, Skempton, Fox, and joins forces with Finchley Choral Society as the soloists in A. Scarlatti’s Dixit Dominus.

Sunday 30 March: Cafe OTO | 8pm | £8 adv. £10 on the door

In what will now presumably be something of a tribute concert, Object Collection (Kara Feely, Travis Just, Aaron Meicht, Daniel Nelson, Tim Parkinson, Fulya Peker) play Robert Ashley’s masterful Automatic Writing, plus New York Girls by Kara Feely and Travis Just.

3 thoughts on “Secret Music: March

  1. I think the Tim Parkinson concert is now 11 April – see
    http://www.untitledwebsite.com/concerts/

    Just to point out, also, that on 6 April is the John White Birthday
    Concert at Charlie Wright’s Bar, with contributions from Gavin Bryars, Dr.
    Margaret Coldiron, Carole Finer, Julian Haxby, Chris Hobbs, John Lely,
    Kaffe Matthews, Tim Parkinson, Michael Parsons, Andrea Rocca, Hugh
    Shrapnel, Dave Smith, John Tilbury, John White (!)

    I know this technically isn’t March, but tickets need to be booked (this
    concert really is ‘secret’ as it’s not listed anywhere online).
    Irritatingly I can’t make this one but it’ll be very good. The tickets can
    be obtained from Atlas Press (they don’t have it listed on their website
    either!). See further details on Tim Parkinson’s website.

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