Theory (no doubt not original):
1. We have entered a new classical era, in which the pervasive use and influence of metrics, best practices, interoperability, regulation and so on (consequences of our particular technological-economic-legal moment) have defined standards of formal “perfection” to which practitioners currently find themselves beholden. I’m thinking particularly in terms of architecture (legal regulations, circulation, energy usage, sustainability), but the same may also be said of many branches of film, television, design, literature, popular music and so on. Formulae and algorithms are central to the process. So is the consensus provided by digital checking tools, or sourced from the digital crowd.
2. Art music, perhaps because of its time-based nature, perhaps because of its preference for acoustic instrumentation and analogue practices of creation and distribution, perhaps because of its fundamentally ephemeral, non-commercial nature, is not subject to these pressures.
3. But at the same time perhaps it is. Perhaps I’m romanticising it.
4. What would that music be like?