Congratulations to the three recipients of the 2017 Ernst von Siemens Composers’ Prize, Simon Steen-Andersen, Lisa Streich (pictured) and Michael Pelzel. Those paying attention will know of my fascination for Steen-Andersen’s madcap, altermodern take on musique concrète instrumentale – and that I probably talk about his Run-Time Error far too much. Streich’s delicately devastated soundworld has intrigued me ever since Alex Ross introduced her Pietà (1) for cello, motors and electronics (available to listen via the composer’s website). Pelzel’s name and music, meanwhile, is completely new to me, and I will be doing something to address that today. Here’s his homepage, for a start.