March in London, in an even-numbered year, means the return of the London Ear to Waterloo’s Cello Factory. I’ve been a friend of Gwyn Pritchard and Andrea Cavallari’s new music festival since its inception – this will be the festival’s fifth edition – and once again I’ll be playing my own small part with a pre-concert talk on the music of Rebecca Saunders on Sunday evening.
Much more important is the rest of the programme. Across five days of concerts, starting this Wednesday, there will be music by more than 40 composers, a substantial retrospective of Berio’s chamber music, performances by the likes of Roberto Fabbriciani and Jonathan Powell, a composition workshop with Misato Mochizuki, and an on-stage conversation with Berio’s widow, Talia Pecker Berio. And more besides – it’s a packed programme in what is always a charming venue, and a great chance to hear music by some of the less well-known names on the European scene.
Tickets are all £12 or less; a full festival pass is just £40. See the website for more details.