Is Cafe Oto really only 10 years old? It seems to have been around for much longer, but maybe that’s just me back-projecting London’s need for somewhere like it. Yes, there are lots of other venues where one can hear experimental, improvised and avant-garde music, but they are mostly arranged on an ad hoc basis. Transient spaces, or buildings made for other things, temporarily repurposed for the night. Oto has provided a solid centre, created an audience, stirred the stew of all these things, become a place where one can hear on equal terms – the same space, the same crowd, the same drinks – the likes of Sun Ra or Keiji Haino one night, and Jennifer Walshe or Mark Knoop another. Or, as next month’s programme allows, Moor Mother at the weekend and a Michael Pisaro residency midweek.
Oto’s rise overlapped with the BMIC’s demise, and the loss of its regular Cutting Edge concert series at the Warehouse in Waterloo. No coincidence that, surely, and I remember a sense of personal relief when some of my favourite musicians began appearing at Oto. Here’s the earliest mention I can find on the blog, from September 2008: a plug for a concert by the Parkinson Saunders duo, whom I had first encountered as performers 23 months before at the Warehouse. I reviewed the first but not the second, yet both concerts live strong in my memory. Of the second I recall in particular Paul Whitty’s turntable experiments and the choreographed semaphore-like movements of Matthew Shlomowitz’s Postcard Pieces. The gig also featured a beautifully introspective improv set by Sebastian Lexer and David Ryan that I hope wasn’t ruined when my phone bleeped instead of switching off at the start. My lowest moment as an audience member and a lesson for life. Apologies.
Anyway, it was the sort of exploratory concert at which Oto has continued to excel; and that visible excellence is, I am sure, an important reason why London’s new music scene is enjoying a period of particular vibrancy today. Series and collectives like Kammer Klang, 840, Bastard Assignments, WEISSLICH, An assembly, even LCMF – members of each have all been nurtured or had their ideas test-bedded at Oto: it is possible to put this stuff on; people will come. Here’s to ten more years.