Music after the Fall introduces quite a lot of music, some of which may be unfamiliar to some readers. With that in mind, I’ve put together a playlist walkthrough of the whole thing on Spotify, to help with orientation, and perhaps introduce you to some music you didn’t know you liked.
Be warned, though, it’s a long playlist: almost 20 hours. Chapter-by-chapter breakdowns will follow soon.
Not everything talked about in the book is recorded, of course, and not all of it can be recorded, even. And even then not everything on record is on Spotify – ECM and Wandelweiser are just two labels featured prominently in the book that are almost entirely absent from the streaming site (and I expect will be for the foreseeable future).
I also haven’t included everything that is featured in the book: at my last count there were something like 190 composers mentioned in the book, many of them linked to two or more of their works – far too many for a comprehensive list. I’ve also given one (occasionally two) movements of multi-movement pieces where possible, so as to keep the length down a bit. Sometimes, however, very long works have been recorded as a single track (Francisco López, La selva; Steve Roden, Forms of Paper; Gavin Bryars, The Sinking of the Titanic; Georg Friedrich Haas, in vain), and it hasn’t been possible to focus in.
On other occasions, the actual piece I wanted to include wasn’t available, so I included the nearest equivalent I could find (examples include Mark-Anthony Turnage’s Scorched instead of Anna Nicole; Pamela Z’s Crosstalk instead of Giajin).
Despite those caveats, the full list should give a pretty good idea of what is in the book, and serve as a reasonably good quick reference to have close to hand. Some of it can be listened to while doing other things (see Chapter 2); some of it maybe even while you’re reading, although I couldn’t possibly recommend that …