I just read of the sad passing of Klaus K. Hübler.
Hübler’s career was halted for several years by illness in the 1990s, although I’m not sure if there is a connection. He is remembered chiefly for his innovations in the ‘decoupling’ of instrumental technique – whereby individual performer actions (fingers, lips, bows, breath etc) were considered independently of one another, often against the grain of conventional performance practice. Among those on whom he had a great influence were Richard Barrett, Aaron Cassidy, Evan Johnson and Timothy McCormack – all composers dear to this blog’s heart and history.
Hübler’s output is not large, and it is fiendishly difficult. Nevertheless, recordings may be found, notably this double portrait disc on Telos. While you wait for that to come back into stock, here are some other things that can be found online:
Those interested in learning more about Hübler’s work may be interested in this online conversation conducted here with members of the ELISION Ensemble from 2010, discussing his music in advance of a concert that included CERCAR (I believe the video above was recorded the following day).